Gloved hands loading a filmstrip into a flatbed scanner carrier

Every other format
has a community. Filmstrips have me.

I've spent almost a decade scanning, restoring, and preserving the educational and industrial filmstrips America has forgotten, frame by frame on a flatbed scanner, before it's too late.

The Short Version

I'm Mark, and I run Uncommon Ephemera. I'm the only person on earth actively preserving American educational filmstrips at scale. I've been doing it for seven years.

Over 1,300 filmstrips are now digitized and freely available on the Internet Archive. About 3,000 more are waiting. The film stock, mostly Eastmancolor, is deteriorating whether or not anyone gets to it. This isn't a someday problem.

"There's no collector community, no institutional mandate, no commercial revival market, and no grant money: just me, because someone, somewhere decided this part of our history wasn't worth saving."

1,300+

Filmstrips digitized and free on the Internet Archive

~3,000

Filmstrips still waiting, decaying in the meantime

4,000

Filmstrips cataloged in a purpose-built database

6,800

DPI per frame, scanned by hand on a flatbed

Extreme macro of a decayed Eastmancolor filmstrip frame reading THE END

Eastmancolor, Decaying

"The film stock, much of it Eastmancolor, is deteriorating whether or not anyone gets to it. This isn't a 'someday' problem, despite everyone else treating as exactly that."

What's Actually On Them

Some are historically significant. Some are dry and boring. Many are just weird. The caricature of "campy educational film" has made preservation harder, because people don't take the format seriously.

Grid of scanned filmstrip frames showing the range of subjects preserved
Mark examining a filmstrip frame against a lightbox

The Work

I scan every frame by hand on a flatbed scanner at 6,800 DPI. The filmstrips have to be cut into strips to fit the film carrier. This outrages institutional archivists – you know, the ones who had 40 years to save them and chose not to. But their neglect means this isn't preservation in the traditional sense, it's triage.

Filmstrips that still have their soundtrack record or cassette can be fully restored into a video simulating what they would have looked like when viewed in their original context. This is a significant undertaking including scan deskewing, scan cropping, color correction, audio digitization and sync, and metadata research. A typical 60-frame filmstrip takes many hours, start to finish.

Recognition

Internet Archive, 2024

Invited to write the filmstrip chapter of the Vanishing Culture Report.

Filmstrip Festival, 2025

Hosted the first-ever celebration of the format, exhibiting restored filmstrips from the collection

Gig work used to cover part of the shortfall. It has dried up.

Last year I raised $6,000 of a $30,000 goal and drove for DoorDash to close some of the gap. That work is gone. I'm not eligible for grants or foundation money. A 9-to-5 would leave no time for this. Your donations are literally what allow the work to continue.

Support the Archive Last year: $6,000 raised of a $30,000 goal